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    <title>Broadway Abridged - Scripts Only</title>
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    <link rel="self" type="application/atom+xml" href="http://www.broadwayabridged.com/atom.xml" />
    <id>tag:www.broadwayabridged.com,2010-03-06:/3</id>
    <updated>2012-01-27T20:38:38Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.3-en</generator>

<entry>
    <title>The 2011 Tony Awards: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/tonys2011.html" />
    <id>tag:www.broadwayabridged.com,2011://3.536</id>

    <published>2011-06-13T13:45:55Z</published>
    <updated>2011-08-16T13:07:37Z</updated>

    <summary><![CDATA[Let's imagine something. &nbsp;It's a world where Television shows, Movies, and Theatre each have their own award nights where they do stuff on a stage.Imagine if, just once, the Theatre award night was the one that schooled the others on...]]></summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="ClassicScript" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[Let's imagine something. &nbsp;It's a world where Television shows, Movies, and Theatre each have their own award nights where they do stuff on a stage.<div>Imagine if, just once, the Theatre award night was the one that schooled the others on how to do stuff on a stage?</div><div>Jesus Christ of Latter Day Saints, it's about time.</div><div><br /></div><div><br /></div>]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/tonys2011.html#more" rel="bookmark">The 2011 Tony Awards: Abridged</a>.</i>]]>
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<entry>
    <title>Brief Encounter: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/briefencounter.html" />
    <id>tag:www.broadwayabridged.com,2010://3.509</id>

    <published>2010-11-01T17:24:41Z</published>
    <updated>2010-11-01T17:30:12Z</updated>

    <summary> If anybody hears about that jugband doing a concert, please let me know, I will totally pay to see them do 60 minutes of music....</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[ <img alt="briefencounterticket.jpg" src="http://www.broadwayabridged.com/briefencounterticket.jpg" width="360" height="240" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /><div>If anybody hears about that jugband doing a concert, please let me know, I will totally pay to see them do 60 minutes of music.</div>]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/briefencounter.html#more" rel="bookmark">Brief Encounter: Abridged</a>.</i>]]>
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<entry>
    <title>American Idiot: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/americanidiot.html" />
    <id>tag:www.broadwayabridged.com,2010://3.503</id>

    <published>2010-10-05T14:56:41Z</published>
    <updated>2010-10-06T13:51:50Z</updated>

    <summary> Special thanks to American Edit for the soundclip....</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<a href="http://www.broadwayabridged.com/scripts/americanidiot.html#more"><img alt="aiticket.jpg" src="http://www.broadwayabridged.com/aiticket.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="212" width="339" /></a> <div>Special thanks to <a href="http://en.wikipedia.org/wiki/American_Edit">American Edit</a> for the soundclip.<br /></div>]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/americanidiot.html#more" rel="bookmark">American Idiot: Abridged</a>.</i>]]>
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<entry>
    <title>La Bete: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/labete.html" />
    <id>tag:www.broadwayabridged.com,2010://3.501</id>

    <published>2010-10-03T13:08:02Z</published>
    <updated>2010-10-02T06:57:04Z</updated>

    <summary><![CDATA[Dear William Shakespeare,You have an excuse for your writing often being inaccessible.&nbsp; It is about 400 years old.&nbsp; At the time, it was more accessible.&nbsp; So, good job.Sincerely,Broadway Abridged.Dear David Hirson, You wrote La Bete 19 years ago.We just thought...]]></summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[Dear William Shakespeare,<br />You have an excuse for your writing often being inaccessible.&nbsp; It is about 400 years old.&nbsp; At the time, it was more accessible.&nbsp; So, good job.<br /><div align="right">Sincerely,<br /><i>Broadway Abridged.<br /></i></div><br />Dear David Hirson, <br />You wrote La Bete 19 years ago.<br />We just thought that you might not have been aware.<br /><div align="right">Sincerely,<br /><i>Broadway Abridged</i><br /></div>]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/labete.html#more" rel="bookmark">La Bete: Abridged</a>.</i>]]>
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<entry>
    <title>The Colin Quinn Show: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/the-colin-quinn-show.html" />
    <id>tag:www.broadwayabridged.com,2010://3.498</id>

    <published>2010-09-21T18:28:58Z</published>
    <updated>2010-09-21T18:33:37Z</updated>

    <summary> THE COLIN QUINN SHOW: ABRIDGED A &quot;Broadway Abridged&quot; Script By Gil Varod SCENE: THE HELEN HAYES THEATER. NOBODY (cares) BLACKOUT. NYTimes: That&#8217;s the Deal: Colin Quinn Show, Directed by Jerry Seinfeld, Headed to Broadway...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<pre><strong>                           THE COLIN QUINN SHOW: ABRIDGED
                            A "Broadway Abridged" Script
                                                            By Gil Varod</strong>






            SCENE: THE HELEN HAYES THEATER.


                                   NOBODY
                          (cares)


                                        BLACKOUT.
</pre> 

<br /><br />NYTimes: <a href="http://artsbeat.blogs.nytimes.com/2010/09/21/thats-the-deal-colin-quinn-show-directed-by-jerry-seinfeld-headed-to-broadway/">That&#8217;s the Deal: Colin Quinn Show, Directed by Jerry Seinfeld, Headed to Broadway</a><br />]]>


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<entry>
    <title>The Addams Family: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/addamsfamily.html" />
    <id>tag:www.broadwayabridged.com,2010://3.493</id>

    <published>2010-08-30T04:09:02Z</published>
    <updated>2010-08-30T13:02:51Z</updated>

    <summary>You know what they say: you *can* take it with you.Just please don&apos;t return it; we don&apos;t want any....</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[You know what they say: you *can* take it with you.<br /><br />Just please don't return it; we don't want any.<br /><br /><br />]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/addamsfamily.html#more" rel="bookmark">The Addams Family: Abridged</a>.</i>]]>
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<entry>
    <title>Promises, Promises: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/promisespromises.html" />
    <id>tag:www.broadwayabridged.com,2010://3.483</id>

    <published>2010-08-23T13:47:00Z</published>
    <updated>2010-08-23T13:48:37Z</updated>

    <summary>While everybody was off watching the live production of South Pacific last Wednesday night, I Tivo&apos;d it and went to see Sean Hayes and Kristin Chenoweth in what was apparently a musical that was revived for the following excellent reasons:1)...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[While everybody was off watching the live production of <a href="http://www.broadwayabridged.com/scripts/southpacific.html">South Pacific</a> last Wednesday night, I Tivo'd it and went to see Sean Hayes and Kristin Chenoweth in what was apparently a musical that was revived for the following excellent reasons:<br /><br />1) Mad Men is popular.<br /><br />So.<br />]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/promisespromises.html#more" rel="bookmark">Promises, Promises: Abridged</a>.</i>]]>
        </div>


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<entry>
    <title>The Tonys 2010: Pre-Abridgement</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/the-tonys-2010-pre-abridgement.html" />
    <id>tag:www.broadwayabridged.com,2010://3.471</id>

    <published>2010-06-06T17:44:12Z</published>
    <updated>2010-06-06T18:11:47Z</updated>

    <summary><![CDATA[Sorry to say that there is no actual THE 2010 TONY AWARDS: ABRIDGED because by the time you are reading this, I will be in abroad on my Honeymoon.&nbsp; So never mind abridging, I won't even be seeing this year's...]]></summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[Sorry to say that there is no actual THE 2010 TONY AWARDS: ABRIDGED because by the time you are reading this, I will be in abroad on my Honeymoon.&nbsp; So never mind abridging, I won't even be seeing this year's <div_prefs id="div_prefs"></div_prefs>Tony Awards broadcast.&nbsp; Will I feel like I've missed anything?&nbsp; Does a 2010 Tony-nominated musical have wings?]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/the-tonys-2010-pre-abridgement.html#more" rel="bookmark">The Tonys 2010: Pre-Abridgement</a>.</i>]]>
        </div>


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<entry>
    <title>Everyday Rapture: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/everydayrapture.html" />
    <id>tag:www.broadwayabridged.com,2010://3.463</id>

    <published>2010-05-17T13:00:00Z</published>
    <updated>2010-05-18T15:07:34Z</updated>

    <summary></summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<img alt="ticket.jpg" src="http://www.broadwayabridged.com/ticket.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="240" width="360" /><br /><br />]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/everydayrapture.html#more" rel="bookmark">Everyday Rapture: Abridged</a>.</i>]]>
        </div>


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<entry>
    <title>All About Me: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/allaboutme.html" />
    <id>tag:www.varod.net,2010:/_broadwayabridged//3.376</id>

    <published>2010-03-30T07:04:52Z</published>
    <updated>2010-05-18T15:21:08Z</updated>

    <summary> ALL ABOUT ME ABRIDGED OR SHE FLEW ALL THE WAY FROM AUSTRALIA FOR THIS? From the &quot;Broadway Abridged Shorts&quot; Archive By Gil Varod...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<pre><strong>                       ALL ABOUT ME ABRIDGED
                                OR
           SHE FLEW ALL THE WAY FROM AUSTRALIA FOR THIS?
            From the "Broadway Abridged Shorts" Archive
                                                  By Gil Varod</strong>
                             <img src="http://varod.net/shorts_sm.gif" align="center" border="0" height="60" width="60" /></pre>
]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/allaboutme.html#more" rel="bookmark">All About Me: Abridged</a>.</i>]]>
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<entry>
    <title>A Behanding in Spokane: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/behanding.html" />
    <id>tag:www.broadwayabridged.com,2010://3.377</id>

    <published>2010-03-29T16:00:00Z</published>
    <updated>2010-05-18T15:18:08Z</updated>

    <summary> A BEHANDING IN SPOKANE ABRIDGED OR &quot;OH NO, WHAT DO WE DO NOW?&quot; THE PLAY From the &quot;Broadway Abridged&quot; Shorts Archives By Gil Varod and Gina Guadagnino...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<pre><strong>
	           A BEHANDING IN SPOKANE ABRIDGED
                                OR
                 "OH NO, WHAT DO WE DO NOW?" THE PLAY

              From the "Broadway Abridged" Shorts Archives
                                By Gil Varod and Gina Guadagnino</strong>
                              <img src="http://varod.net/shorts_sm.gif" align="center" border="0" height="60" width="60" /></pre>
]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/behanding.html#more" rel="bookmark">A Behanding in Spokane: Abridged</a>.</i>]]>
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<entry>
    <title>101 Dalmatians: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/101dalmatians.html" />
    <id>tag:www.broadwayabridged.com,2010://3.378</id>

    <published>2010-03-08T17:00:00Z</published>
    <updated>2010-05-18T15:24:23Z</updated>

    <summary>Today&apos;s Broadway Abridged Guest Script comes from TVGasm Writer The Unprofessional Critic, who was kind enough to go see 101 Dalmatians The Musical in Chicago which:really existsis really something that Disney didn&apos;t have any involvement withis really presented by Purina...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[Today's Broadway Abridged Guest Script comes from <a href="http://www.tvgasm.com/shows/rupauls-drag-race/">TVGasm</a> Writer <a href="http://unprofessionalcritic.blogspot.com/"><span style="font-weight: bold;">The Unprofessional Critic</span></a>, who was
 kind enough to go see<span style="font-weight: bold;"> 101 Dalmatians 
The Musical</span> in Chicago which:<br /><ul><li><a href="http://en.wikipedia.org/wiki/101_Dalmatians_Musical">really exists</a></li><li>is
 really something that Disney didn't have any involvement with</li><li>is
 really presented by <a href="http://www.the101dalmatiansmusical.com/">Purina
 Dog Chow</a></li><li>really stars Sara Gettelfinger</li><li>really 
involves Jerry Zaks</li><li>is really going to be at the <strike>Washington
 Mutual Theater</strike>  Madison Square Garden Theater <a href="http://www.theateratmsg.com/tickets/promotion.html?p_id=PONGO#CLICK&amp;s16803c27287851o197327t16801n35043e">in
 April</a></li><li>is something I have zero intention of seeing.  Thanks
 Unpro!</li></ul><br />]]>

        <div>
            <![CDATA[<br/><i>Continue reading <a href="http://www.broadwayabridged.com/scripts/101dalmatians.html#more" rel="bookmark">101 Dalmatians: Abridged</a>.</i>]]>
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<entry>
    <title>South Pacific: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/southpacific.html" />
    <id>tag:www.varod.net,2009:/_broadwayabridged//3.379</id>

    <published>2009-12-09T17:00:00Z</published>
    <updated>2010-08-20T13:23:04Z</updated>

    <summary> SOUTH PACIFIC ABRIDGED OR THE MOST HAPPY WAR! By Gil Varod and Megan Avery SCENE: OVERTURE. The stage pulls back in order to reveal a glorious 734 piece orchestra. LINCOLN CENTER PRODUCERS And we got it for the price...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="ClassicScript" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<pre><strong>
                               SOUTH PACIFIC ABRIDGED
                                         OR
                                 THE MOST HAPPY WAR!
                                             By Gil Varod and Megan Avery</strong>






            SCENE: OVERTURE.


                                   The stage pulls back in order to reveal
                                   a glorious 734 piece orchestra.


                                   LINCOLN CENTER PRODUCERS
            And we got it for the price of what unions usually charge for
            a 4-piece band!  Go fuck yourself, for-profit producers.


                                   YOU KNOW THE TYPE
            Is that a *full overture* I hear? 
            Well well!  I suppose theatre *isn't* dead!
            God am I pretentious.


                                   A curtain with text tries to Prologue
                                   us.


                                   CURTAIN
                          (pissy because it's too dimly
                           lit to be read)
            I wish I could tell you about South Pacific.  The way it
            actually was.  The endless ocean.  The infinite specks of
            coral we called "islands", because we were slap-happy from
            booze.  
            But whenever I try to talk about South Pacific, people
            intervene.  Because they say that people in wars don't sing
            and dance and slap each other's--
                          (curtain rises)
            Wait!  Wait where are you taking me!






            SCENE: THE SOUTH PACIFIC.


                                   Enter two adorable children who walk
                                   around the stage and mime uncomfortably
                                   to each other while they stall for time
                                   until it gets to the beginning of the
                                   song.


                                   ADORABLY CUTE CHILDREN
                          (finally on measure)
            ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE TEN!
            LA LA LA LA LA LA LA LA LA LA!


                                   OSCAR HAMMERSTEIN 
            Wait!  This musical's supposed to be IMPORTANT!


                                   RICHARD RODGERS
            I know, let's make them foreign or something!


                                   OSCAR HAMMERSTEIN
            What nationality?


                                   RICHARD RODGERS
            Brown!


                                   ADORABLY CUTE HALF
                                   MELANISIAN CHILDREN
            UN DEUX TROIS QUATRE CING SIX SEPT HUIT NEUF DIX!
            LA LA LA LA LA LA LA LA LA LA!


                                   OSCAR HAMMERSTEIN
            OH HOW THIS IS EXCELLENT!


                                   Enter Kelli O'Hara.


                                   KELLI O'HARA
            I just met you, mysterious Frenchman, but I love you already!


                                   RICHARD RODGERS
            YES OH SO RELEVANT!


                                   Enter an Opera Singer who uses "I'm an
                                   opera singer acting like an opera
                                   singer" as his excuse for not really
                                   acting much.


                                   PAOLO SZOT
                          (hiding children vigorously)
            Yes, I love you too Kelli O'Hara.
            We should sing a few songs to solidify our relationship of
            fourteen days, when you told me how you were from Small Rock.


                                   KELLI O'HARA
            Little Rock.


                                   PAOLO SZOT
            And that you were a penis-eyed optimist.


                                   KELLI O'HARA
            Cock... whatever.


                                   PAOLO SZOT
                          (soliloquying)
            THIS IS WHAT I NEED
            SOMEONE YOUNG AND SMILING
            AND BLONDE
            ALWAYS A BLONDE.


                                   They drink tea, and nothing happens.


                                   KELLI O'HARA
            So... small talk...
                          (awkwardly)
            How long did it take you to build up this very large and
            extravagant plantation?


                                   PAOLO SZOT
            Forty Polynesian lives.


                                   KELLI O'HARA
            Uh.  Are they Polynesian though?  Because I'm--


                                   PAOLO SZOT
                          (singing)
            SOME ENCHANTED EVENING!


                                   KELLI O'HARA
            Ah yes I know that song.  Good good.


                                   She spreads her arms all over her own
                                   shoulders and then mimes choking
                                   herself, because the Choreography
                                   budget went to Wigs.


                                   KELLI O'HARA
            I'm from the American South, y'all!


                                   PAOLO SZOT
            AND I KILLED A MAN!


                                   KELLI O'HARA
            Oh isn't that nice.


                                   PAOLO SZOT
            I KILLED A MAN!  ME! 


                                   KELLI O'HARA
            You've been so sweet to me these past three songs, so I'm
            sure you had a good reason.


                                   PAOLO SZOT
            HE WAS A WICKED MAN... 
                          (smiling)
            Hey we should have children!


                                   KELLI O'HARA
            This scene's really long.  You wanna go see some gay sailors
            dance?






            SCENE: THE ANSWER IS "YES".


                                   DON'T ASK
            I make grass skirts!


                                   DON'T TELL
            I'ma gonna slap yer butt!
                          (slaps butt)


                                   DANNY BURSTEIN
            So, Bloody Mary, I understand the economy of this island is
            entirely dependent on the United States Naval demand for
            quality island-crafted jewelry, garments and cultural
            memorabilia.


                                   BLOODY MERRY CHRISTMAS EVE
            GLASS SKILTS!  BOALS TOOTH BLACERET!  SHLUNKEN HEADS!
            YOU WRRRRIIIIIIKKEE?


                                   DANNY BURSTEIN
            It's nice to be in an important musical.


                                   Gay sailors sing and dance
                                   and pull down each other's pants.


                                   DON'T ASK
            I, ahem, "sure wish there were women around".


                                   The entire female cast jogs by.


                                   DON'T TELL
            I, um, "me too".


                                   DANNY BURSTEIN
                          (singing)
            THERE IS NOTHING LIKE A DAME
            LEFTY'S NOT THE SAME
            I REALLY WANT TO GO TO THE ISLAND 
            WHERE THEY HAVE ORGIES
            BUT ONLY THE OFFICERS CAN GO, DAMN IT.
                          (to rest of Navy)
            Everybody, walk around freely to the rhythm with me!


                                   They do, because the Choreography
                                   budget went to a big plane and two
                                   grass skirts.


                                   DANNY BURSTEIN
            Funny, you'd think if we wanted women so much that we CAN'T
            STAND IT, we would DANCE about it in a musical.


                                   Enter Matthew Morrison.


                                   DON'T ASK
                          (clapping hands)
            SQUEEEEEE!


                                   DON'T TELL
                          (jumping up and down)
            IT'S THE GUY FROM GLEE!


                                   THE GUY FROM GLEE
            Look at how cool I am.  I have a CIGARETTE and a leather
            jacket.  Like James Dean.  I'm cooler than all of this.  Like
            James Dean. 


                                   He walks to one side of stage, changes
                                   his mind, walks to other side of stage,
                                   changes his mind, and walks to the
                                   first side of stage.  


                                   DANNY BURSTEIN
            So what's your story?


                                   THE GUY FROM GLEE
            No, I think that was it.


                                   DANNY BURSTEIN
            Say, you should go to Bali Ha'i, where all the women and
            grass skirts come from.  Only Lieutenants can go to Bali Hai! 
            I want to go to Bali Hai!  You're a Lieutenant!  
                          (to audience)
            Got that?  That's the B plot.  All of it.


                                   BLOODY MERRY CHRISTMAS EVE
                          (to Glee dude)
            Yes, let me sing a song convincing you to go there, even
            though you will then be able to purchase at wholesale the
            items I sell for much more.  YOU WRRRRRIIIIKKKEEEE?


                                   THE GUY FROM GLEE
            Whatever.  Hey, did I mention that I went to a little college
            in Jersey.


                                   DANNY BURSTEIN
            Where, Rutgers?


                                   THE GUY FROM GLEE
                          (clearing throat)
            A LITTLE COLLEGE IN JERSEY.


                                   DANNY BURSTEIN
            Seton Hall?


                                   THE GUY FROM GLEE
            No.
                          (dramatic pause:)
            Princeton.


                                   DANNY BURSTEIN
            Tool.


                                        GUY FROM GLEE SINGS "BALI HA'I"
                                        REPRISE AGAIN, JUST TO SOLIDIFY
                                        HOW DISINTERESTED HE WAS, AND
                                        THEN:






            SCENE: GLEE GUY MEETS WITH HEAD OF THE ENTIRE NAVY EVER.


                                   GOOFY FAT HEAD OF NAVY
            Sorry for the wait, I had to get my team of ragtag skirt
            makers to the mess hall for teatime manner lessons.


                                   THE GUY FROM GLEE
            I'm going to draw with a stick on this wooden stage.  Imagine
            what the drawing would have been if this stick was a Sharpee.


                                   GOOFY FAT HEAD OF NAVY
            Yes, of course.


                                   THE GUY FROM GLEE
            All of these islands are generically in danger.  What you
            need to know is that only Paolo Szot can help me make the bad
            bad danger go away.


                                   GOOFY FAT HEAD OF NAVY
            Who?


                                   THE GUY FROM GLEE
            The guy from the first scene.  Remember?  A half an hour ago?


                                   GOOFY FAT HEAD OF NAVY
            Oh Paolo Szot.  
            BUT PAOLO SZOT KILLED A MAN!


                                   THE GUY FROM GLEE
            PAOLO SZOT KILLED A MAN?


                                   GOOFY FAT HEAD OF NAVY
            PAOLO SZOT KILLED A MAN!


                                   Enter Kelli O'Hara.


                                   GOOFY FAT HEAD OF NAVY
            Kelli, did you know that PAOLO SZOT KILLED A MAN?


                                   KELLI O'HARA
            KILLED WHO?


                                   GOOFY FAT HEAD OF NAVY
            A MAN!  Also, what are you doing here?


                                   KELLI O'HARA
            I'm in The Navy.


                                   GOOFY FAT HEAD OF NAVY
            Really?  I didn't catch that.  
            Well allow me to introduce you to That Guy From Glee.


                                   THE GUY FROM GLEE
            Oh, we've met before.  


                                   KELLI O'HARA
            Yes, back during his Italian Accent Phase, he kissed me when
            I was <a href="http://www.broadwayabridged.com/scripts/piazza.shtml"><font color="blue">mentally retarded</font></a>.


                                   THE GUY FROM GLEE
            Did I mention I'm from a small University in New Jer--


                                   KELLI O'HARA
            That joke's been around since the 40s?  Sad.


                                   THE GUY FROM GLEE
            Forget you.  You only fall in love with guys with foreign
            guys anyway.  And Harry Connick, Jr.


                                   KELLI O'HARA
            I don't have time for this.  I need to go take a shower while
            the rest of the cast cheers me on for doing so.


                                        GRATUITOUS MALE NUDITY-FILLED
                                        TRANSITION TO:






            SCENE: REMEMBER WHAT "BIKINIS" LOOKED LIKE IN THE 40'S? 
            ALSO, EVERYONE WEARING BIKINIS IN THE SHOWER IN THE 40'S?


                                   KELLI O'HARA
            We spent too much time on the love plot, and then not enough
            on it.  So now's about the time in a Rodgers and Hammerstein
            musical where I decide that I DON'T NEED LOVE!


                                   PERSONALITY-LESS RODGERS AND
                                   HAMMERSTEIN FEMALE CHORUS
            Yes, we have lots of opinions on other people's lovelives!
            Also, cleanliness rituals.  
                          (chanting)
            SHAMPOO, KELLI, SHAMPOO!


                                   Poor Kelli O'Hara is onstage in a 2
                                   piece, and sings while soaking wet.  


                                   But, at least it's not Dracula all over
                                   again.


                                   FRANK WILDHORN
                          (should be shot)


                                   PAOLO SZOT
                          (entering)
            Kelli?  I am here unannounced!  At the place where all the
            women shower!  Just in case I was not, how you say, sketched
            enough?


                                   KELLI O'HARA
            Paolo, what are you doing here?  I just shampoo'd my hair in
            a physical representation of my breaking up with you.  


                                   PAOLO SZOT
            ???


                                   KELLI O'HARA
            Usually women get haircuts.


                                   PAOLO SZOT
            I don't understand your American culture.  But what I do
            understand is FREEDOM.


                                   KELLI O'HARA
            You do?!?!?  Oh, then I *do* love you!


                                   PAOLO SZOT
            Of course I do.  Freedom is WHY I KILLED A MAN!


                                   KELLI O'HARA
            Right.  This again.


                                   PAOLO SZOT
            This MAN, everybody disliked him and he took over our town...
            it was all very vague, you see.
            I wanted everybody to stand up to him, but they walked away.
            Because he was STANDING BEHIND ME. 


                                   KELLI O'HARA
            Literally?  That sounds ridiculous.  Can we maybe reenact this
            or something?


                                   PAOLO SZOT
            And he said to me, "I am going to kill you now."
            And I said, "No, I am going to kill you instead."
            And he said, "No you're not."
            And I said, "I so am".  
            And he said "Over my dead body'.  
            And I said, "That's the idea", which I thought was very
            clever.


                                   KELLI O'HARA
            Hooray!


                                   PAOLO SZOT
            And that is how I stole a man's very life force.
            Hey, is this a good segue into asking you to marry me? 


                                   This REALLY HAPPENS.


                                   KELLI O'HARA
            Let's sing SOME ENCHANTED EVENING again!


                                   PAOLO SZOT
            All right, but after that I'm going to immediately leave so
            you can have a solo song.


                                   He does.


                                   Enter mindless idiotic R&amp;H women.


                                   KELLI O'HARA
                          (cartwheeling)
            Oh girls, you'd never guess--I'm in one of the worst Rodgers
            and Hammerstein love storylines EVER!
            Dance with me!


                                   They don't, because the Choreography
                                   budget went to a total of TWO SETS and
                                   a couple of bottles of Head &amp;
                                   Shoulders.


                                   KELLI O'HARA
                          (surprisingly not annoying
                           audience)
            I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE
            I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE
            I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE
            I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE I'M IN LOVE 


                                   AUDIENCE
                          (surprisingly not annoyed)
            Aww.  I want to take you home.


                                   PERSONALITY-LESS RODGERS AND
                                   HAMMERSTEIN FEMALE CHORUS
            Oh, to be a girl in a R&amp;H musical, to do nothing but sing
            about how someone else is in and out and in and out of love.






            SCENE: PAOLO SZOT IS ASKED IF HE'LL HELP WITH SOME VAGUE WAR
            RELATED THING.


                                   PAOLO SZOT
            Why would I help you Westerners?  I had to leave my country
            when I was twenty-two...


                                   THE GUY FROM GLEE
            Here it comes.


                                   PAOLO SZOT
            ...BECAUSE I KILLED A MAN!


                                   THE GUY FROM GLEE
            Like clockwork.


                                   GOOFY FAT HEAD OF NAVY
            I can understand why he doesn't want to go on a dangerous
            mission.  He *does* have kids.


                                   PAOLO SZOT
            No, it is solely because I love Kelli O'Hara.


                                   THE GUY FROM GLEE
            But--


                                   PAOLO SZOT
                          (singing)
            SOME ENCHANTED EVENING.


                                   THE GUY FROM GLEE
            That doesn't even make sense in this scene.






            SCENE: THE FIRST OF *TWO* PARTY SCENES IN A SINGLE RODGERS
            AND HAMMERSTEIN MUSICAL.  HOW THEIR WRITING HAD MATURED SINCE
            OKLAHOMA!


                                   KELLI O'HARA
                          (wasted)
            That was a great party, Paolo.


                                   PAOLO SZOT
                          (being sketchy/foreign)
            Have some more champagne.


                                   KELLI O'HARA
            You know what's... totes awesome....?
            That we, like, both get excited about exciting things!
            Like being in love!  With love!
            We have so much in common, and so strong a foundation to
            build a solid marriage on!


                                   An actual reprise of "I'm In Love".


                                   Then an actual reprise of "This Is What
                                   I Need".


                                   Then an actual reprise of "Wash That
                                   Man".


                                   RICHARD RODGERS
            I CAN'T STOP I'M IN A REPRISING FRENZY!


                                   PAOLO SZOT
            If you are drunk enough, I now have a surprise for you.


                                   Enter those brown kids.


                                   ADORABLY CUTE HALF
                                   MELANISIAN CHILDREN
                          (singing)
            NOUS POUVONS CHANTER
            LA MEME DAMN SONG
            DE SCENE ONE!


                                   KELLI O'HARA
            You have two children?


                                   PAOLO SZOT
            Yes.


                                   KELLI O'HARA
            Where is their mother?


                                   PAOLO SZOT
            Dead.


                                   KELLI O'HARA
            Did you kill her too?  For being NOT WHITE?


                                   PAOLO SZOT
            No, I killed A MAN.  Were you not paying attention?


                                   KELLI O'HARA
            Do you know that your kids have black eyes?  As in they are
            NOT WHITE?  COME ON PAOLO, YOU'RE FRENCH, ISN'T THAT FOREIGN
            ENOUGH?


                                   PAOLO SZOT
            Wait.  So you are not mad at me at all for lying to you, by
            not telling you I had two children before we got engaged to
            be married?


                                   KELLI O'HARA
            BROWN KIDS, PAOLO!  BROWN KIDS!


                                   PAOLO SZOT
            I never would have expected this from a young woman who grew
            up in the American South in the 1930s!  


                                   KELLI O'HARA
                          (stumbling out of plantation)
            If you will excuse me, I must get away from you and your not
            white children.  As quickly as possible.  And the only way to
            do so is to drive home drunk.


                                   PAOLO SZOT
            I'm really glad these brown kids don't understand English.
                          (pause, sings)
            SOME ENCHANTED EVENING--






            SCENE: MATTHEW MORRISON'S CHARACTER HAS NOTHING TO DO.


                                   THE GUY FROM GLEE
            Yawn.


                                   BLOODY MERRY CHRISTMAS EVE
                          (peering in through blinds)
            I know what moves prot arong.  Why not you have sex with my
            daughtel?  YOU WRRRRRIIIIKKKEEEE?


                                   THE GUY FROM GLEE
            Okay, as long as I get to TAKE MY SHIRT OFF!  And FLEX!


                                   He sings a song.


                                   BLOODY MERRY'S DAUGHTER
                          (PG-kissing only)
            Look, you're singing an "a cappella" song with musical
            accompaniment, just like on Glee!


                                        BLACKOUT!


                                        LIGHTS BACK ON!


                                   BLOODY MERRY'S DAUGHTER
            What was that?


                                   THE GUY FROM GLEE
            I think we just had sex.


                                   BLOODY MERRY'S DAUGHTER
            In a 1940s musical?


                                        BLACKOUT!


                                        LIGHTS BACK ON!


                                   THE GUY FROM GLEE
            We did it again!


                                   BLOODY MERRY'S DAUGHTER
            PUT YOUR SHIRT BACK ON QUICK OR ELSE--


                                        BLACKOUT!


                                        LIGHTS BACK ON!


                                   BLOODY MERRY'S DAUGHTER
            Dammit!


                                   BLOODY MERRY CHRISTMAS EVE
                          (still peering in through the
                           blinds)
            It's my daughter, so I like to watch.


                                   THE GUY FROM GLEE
            WHAT THE FUCK?






            SCENE: PARTY SCENE NUMBER 2.


                                   Danny Burstein comes out in coconut
                                   shells and a grass skirt.


                                   DANNY BURSTEIN
            SEE?  THIS IS NOT OKLAHOMA!


                                   Whatever.


                                   PAOLO SZOT
            Danny Burstein, will you give Kelli O'Hara these flowers?


                                   DANNY BURSTEIN
            We're trying to do the show, please don't upset her.


                                   PAOLO SZOT
            But--


                                   DANNY BURSTEIN
            No really Act 1 was longer than Jesus Christ Superstar. 
            Please don't.


                                   Enter Kelli O'Hara.


                                   KELLI O'HARA
            I'm still not marrying you, Paolo.  Just making that clear.


                                   Exit Kelli O' Hara.


                                   PAOLO SZOT
                          (singing)
            SOME ENCHANTED EVEN--


                                   Matthew Morrison runs in distraught for
                                   absolutely no reason.


                                   BLOODY MERRY'S DAUGHTER
            Oh, Guy From Glee!


                                   They kiss over and over again, but
                                   Bloody Merry keeps interrupting them.


                                   Then she sings a song that makes you
                                   want to shove your eyes into an
                                   electric spice grinder.


                                   BLOODY MERRY CHRISTMAS EVE
            HAPPY HAPPY HAPPY TALK
            HAPPY TALK
            HAPPY TALK
            HAPPY HAPPY HAPPY TALK
            EVERYBODY DIE


                                   BLOODY MERRY'S DAUGHTER
            I'm going to randomly do Tai Chi now!


                                   She does, because the Choreography
                                   budget was spent on...


                                   Well...


                                   Tai Chi lessons.


                                   THE GUY FROM GLEE
            BUT I HATE TAI CHI!


                                   He runs away, and bumps into Kelli
                                   O'Hara.


                                   THE GUY FROM GLEE 
            Oh, I'm in love with that girl who doesn't speak English who
            I keep rejecting!


                                   KELLI O'HARA
            But don't you already have a fiancee back at home?


                                   THE GUY FROM GLEE
            She didn't put out.  The foreign girl did.  Hence the
            blackouts.


                                   KELLI O'HARA
            LET THAT BE A LESSON TO ALL YOU WOMEN IN THE AUDIENCE!


                                   THE GUY FROM GLEE
            No, Kelli O' Hara, the extremely relevant and timely lessons
            of this musical are to follow your heart and to not be
            racist.


                                   KELLI O'HARA
                          (runs off to go stereotype)
            Say it again, Bloody!


                                   BLOODY MERRY CHRISTMAS EVE
            YOU WRRRRRIIIIKKKEEEE?


                                   THE GUY FROM GLEE
            We are trying to make this musical important, Kelli!  ARGH!


                                   PAOLO SZOT
            Hey Glee Guy, you and I should make this musical important
            and relevant by going on a suicidal mission.


                                   THE GUY FROM GLEE
            But I thought--


                                   PAOLO SZOT
            Since perky blonde nurse will not marry me, I now have
            nothing of value to lose, not even my two brown plot devices.


                                   THE GUY FROM GLEE
            Children?


                                   PAOLO SZOT
            Yes please.


                                   THE GUY FROM GLEE
            Then let's go.  You are sad about Kelli, and my character
            makes no sense.






            SCENE: WAR ROOM.


                                   We get to watch the battle from the
                                   most exciting place to experience it--
                                   IN A DARK ROOM WITH A RADIO!


                                   GOOFY FAT HEAD OF NAVY
            God dammit, this is 2009 and we have TECHNOLOGY now.  Can't
            we do SOMETHING more?


                                   DANNY BURSTEIN
            No.


                                   GOOFY FAT HEAD OF NAVY
            You!  I'm angry at you because you parachuted out of a plane
            and were a diversion against the Japanese and are the reason
            we'll win World War 2 or something?


                                   PAOLO SZOT
                          (over Radio)
            Hello, you're listening to "Joe and The Frenchman" on KRNH,
            RACIST RADIO.  Normally we'd have a little performance from
            The Guy From Glee right about now, but he just died, because
            it works best plot-wise if someone has a quiet offstage
            death.
            ...
            ...
            Can I sing SOME ENCHANTED EVENING again yet?






            SCENE: BLOODY MERRY'S DAUGHTER WON'T MARRY ANYBODY BUT THAT
            GUY FROM GLEE.


                                   Yeah... that's a lot of people.






            SCENE: PAOLO SZOT IS FIGHTING IN WORLD WAR 2 NOW.


                                   KELLI O'HARA
            Wait did the entire Navy just ditch me?


                                   The Navy sings a reprise of a song
                                   about swiveling hips as they go off to
                                   war.


                                   KELLI O'HARA
            I guess that means I get to stay here in Paolo's household.


                                   ADORABLY CUTE HALF
                                   MELANISIAN CHILDREN
            LA LA LA LA LA LA LA LA LA LA!


                                   KELLI O'HARA
            Ugh.  What the *hell* are you kids singing anyway?


                                   Enter Paolo Szot.


                                   PAOLO SZOT
            KELLI!


                                   KELLI O'HARA
            Oh Paolo, I knew you'd be back!


                                   PAOLO SZOT
            What are you doing on my luxurious island plantation!?!


                                   KELLI O'HARA
            I love you!


                                   PAOLO SZOT
            When last we met, I was off to war because you'd broken my
            heart!


                                   KELLI O'HARA
            Since then I changed my mind yet again!  But because you were
            already at war, I figured I'd just stay here until/if you
            came back.


                                   PAOLO SZOT
            We're not even married.


                                   KELLI O'HARA
            We--


                                   PAOLO SZOT
            Heck as far as I was aware of, we weren't even dating
            anymore.  Then I go off to war where I could have *died*, to
            come back to find the woman who broke my heart lording over
            my land, servants, and THE KIDS THAT YOU HATE?


                                   KELLI O'HARA
            ...I think you're just a little stressed from the war.  What
            do you say you watch me shampoo my hair again, and then you
            can sing Some Enchant--


                                   Paolo Szot pulls out his Navy-issued
                                   gun and shoots Kelli O'Hara in cold
                                   blood.


                                   PAOLO SZOT
            Racist bitch.


                                        BLACKOUT.
</pre>]]>


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<entry>
    <title>Wishful Drinking: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/wishfuldrinking.html" />
    <id>tag:www.varod.net,2009:/_broadwayabridged//3.380</id>

    <published>2009-12-02T17:00:00Z</published>
    <updated>2010-04-29T20:03:31Z</updated>

    <summary> WISHFUL DRINKING ABRIDGED OR CARRIE FISHER RAN OUT OF MONEY From the &quot;Broadway Abridged&quot; Shorts Archives By Gil Varod SCENE: STUDIO 54 ...where Carrie Fisher probably once had sex-- CARRIE FISHER Now, I basically say that joke during my...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[<pre><strong>
                              WISHFUL DRINKING ABRIDGED
                                         OR
                           CARRIE FISHER RAN OUT OF MONEY
                     From the "Broadway Abridged" Shorts Archives
                                                            By Gil Varod</strong>
                                      <img src="http://varod.net/shorts_sm.gif" align="center" border="0" width="60" height="60" />





            SCENE: STUDIO 54


                                   ...where Carrie Fisher probably once
                                   had sex--


                                   CARRIE FISHER
            Now, I basically say that joke during my show.


                                   Right then.  Go ahead.


                                   CARRIE FISHER
            Now, everybody, let's learn about how ridiculous my life is!


                                   AUDIENCE
            Do tell!  We're fully willing to consume 30-year old gossip!


                                   CARRIE FISHER
            Now, my parents were Eddie Fisher and Debbie Reynolds, and
            they cheated on each other!


                                   AUDIENCE
            Hahahahahah!  You are so funny!


                                   CARRIE FISHER
            Now, after that I was in Star Wars, and my head was a Pez
            Dispenser!


                                   AUDIENCE
            Hahah oh your head was a Pez Dispenser!


                                   CARRIE FISHER
            Now, then I married Paul Simon! Imagine having Paul Simon be
            the one to write songs about how bad a wife you were!


                                   AUDIENCE
            Ha... ha...


                                   CARRIE FISHER
            Now, after that I married a gay man, and I was bipolar, and
            it ruined me completely and I ended up in a nuthouse!


                                   AUDIENCE
            ...


                                   CARRIE FISHER
            Hysterical, right?  Now, that wasn't the only time I was in a
            nuthouse!  I also went through electroshock therapy and went
            to a mental institution and got addicted to prescription
            medication!  Ha ha ha ha!  MANIC DEPRESSION HA HA HA!


                                   AUDIENCE
            ...wait are you going to divulge what it was like to go
            through any of that?


                                   CARRIE FISHER
                          (suddenly serious for 40
                           seconds)
            Now, being bipolar is terrible.


                                   AUDIENCE
            Oooh, if I've learned anything from Billy Crystal's "700
            Sundays", halfway through is when a one-man show turns from
            hysterical to touching and soul-baring--


                                   CARRIE FISHER
            No, that was it.  
            HELP ME OBI WAN KENBI YOU'RE MY ONLY HOPE!  God I'm funny.


                                   AUDIENCE
            ...do I at least get some very important lesson to learn?


                                   CARRIE FISHER
            NOPE.  NOW, GOODNIGHT EVERYBODY!


                                        BLACKOUT.


                                        ALSO, CARRIE FISHER STEALS A JOKE
                                        FROM DAVE BARRY.
</pre>]]>


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<entry>
    <title>Hair: Abridged</title>
    <link rel="alternate" type="text/html" href="http://www.broadwayabridged.com/scripts/hair.html" />
    <id>tag:www.varod.net,2009:/_broadwayabridged//3.381</id>

    <published>2009-11-30T17:00:00Z</published>
    <updated>2010-04-29T20:03:38Z</updated>

    <summary> HAIR ABRIDGED OR NAKED HIPPIES NAKED THE MUSICAL NAKED! OR A FUTILE ATTEMPT AT MAKING &quot;HAIR&quot; COHERENT A &quot;Broadway Abridged&quot; Script By Gil Varod and Gina Guadagnino SCENE: CLOSING CAST PARTY OF THE 2008 &quot;SHAKESPEARE IN THE PARK&quot; PRODUCTION...</summary>
    <author>
        <name>Gil</name>
        <uri>http://www.broadwayabridged.com</uri>
    </author>
    
        <category term="scripts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.broadwayabridged.com/">
        <![CDATA[ <pre><strong>
                                    HAIR ABRIDGED
                                         OR
                        NAKED HIPPIES NAKED THE MUSICAL NAKED!
                                         OR
                      A FUTILE ATTEMPT AT MAKING "HAIR" COHERENT
                             A "Broadway Abridged" Script
                                         By Gil Varod and Gina Guadagnino</strong>






            SCENE: CLOSING CAST PARTY OF THE 2008 "SHAKESPEARE IN THE
            PARK" PRODUCTION OF "HAIR", WHICH (LITTLE KNOWN FACT) WASN'T
            WRITTEN BY SHAKESPEARE AT ALL.


                                   THE PUBLIC THEATER
            Our production of HAIR in the park had spirit, passion and
            competent actors.  That rarely happens when we do ACTUAL
            SHAKESPEARE in the park.  Must be Shakespeare's fault,
            because it certainly couldn't be us.


                                   DIRECTOR DIANE PAULUS
            Shame we didn't charge for it.  There has to be a way for us
            to wring a dollar out of these naked hippies, turning their
            free-spirited, patchuli-scented love-fest into a corporate
            juggarnaut.


                                   PRODUCERS JEFFREY RICHARDS,
                                   JERRY FRANKEL, GARY GOODARD,
                                   KATHLEEN JOHNSON, ALL 17
                                   NEDERLANDERS, FRAN KIRMSER,
                                   JED BERNSTEIN, MARC FRANKEL,
                                   BARBARA MANOCHERIAN/
                                   WENCLAIR, TERRY SHNUCK, ANDY
                                   SANDBERG [NOT THE SNL ONE,
                                   THAT'S ANDY SAMBERG], NORTON
                                   HERRICK, JOEY PARNES AND THE
                                   WEINSTEINS.              
                                   YES, THOSE WEINSTEINS. 
            Dollars?  Naked?






            SCENE: THE AL HIRSCHFELD THEATRE, WHERE FREE LOVE RUNS ABOUT
            $100 A POP.


                                   Cast sings that one song you know.


                                   WILL SWENSON
            My character's name is "Berger".  I'm going to make lots of
            PUNS about this and--


                                   AUDIENCE
            WHY ARE THEY NOT NAKED YET.


                                   WILL SWENSON
            Wow, you guys really need to learn how to find Porn on the
            Internet or something.  Okay, fine.
                          (takes off pants)
            I know what you're thinking.  "Oh dear, isn't that a cute
            one."  My penis, that is.


                                   AUDIENCE
            WE CAN'T ACTUALLY SEE YOUR PENIS WHY ARE YOU TAUNTING US?


                                   WILL SWENSON
            I guess you'll have to wait until right before the
            intermission.
            Oh look, my mom is here tonight!  Every night!
            How lucky you guys are to be here the night my Mom showed up.


                                   WILL SWENSON'S MOM
                          (isn't Will Swenson's Mom)


                                   GAY HIPPIE
            I'm the Gay Hippie, except I'm not really admitting I'm gay. 
            Because in a show with a multiracial naked cast, that would
            be controversial!
                          (makes out with poster of Mick
                           Jagger in straightest way
                           possible)
            Also by the way, LOVE is very important.


                                   BLACK GUY
            I'm the black guy.


                                   OTHER BLACK GUYS 
            We're black too!


                                   ALL BLACK GUYS
            LOOK AT HOW INTEGRATED OUR CAST IS!  ISN'T THAT
            REVOLUTIONARY?


                                   AUDIENCE IN REAR MEZZANINE
            From way up here we can't tell.


                                   GAY HIPPIE 
            Since the mezzanine is half-empty, let's perform the hit song
            from Hair, "The Song Where The People In The Rear Mezzanine
            Get Better Seats".


                                   AUDIENCE IN REAR MEZZANINE
                                   BUT NOW IN FRONT MEZZANINE
            HOORAY!  THIS ACTUALLY HAPPENS!


                                   WILL SWENSON
            I hate school!  Wah wah wah wah wah!


                                   TEENAGER DRESSING UP LIKE A
                                   GROWNUP USING A RIDICULOUS
                                   NAZI ACCENT
            I am showing how institutional the American school system is
            by portraying a German principal who is named "Principal
            Poopypants."  TAKE OUR VERY IMPORTANT HIPPIE MESSAGE
            SERIOUSLY!  ALSO, LOVE!


                                   WILL SWENSON
            I must be a high school student; you can tell because I have
            two o' clock shadow.


                                   TEENAGER DRESSING UP LIKE A
                                   GROWNUP USING A RIDICULOUS
                                   NAZI ACCENT
            Will Swenson, you are expelled from Doodyface Academy.


                                   WILL SWENSON
                          (lathering his face for a nice
                           close shave)
            For being old enough to immediately go to jail were I to date
            my classmates?


                                   TEENAGER DRESSING UP LIKE A
                                   GROWNUP USING A RIDICULOUS
                                   NAZI ACCENT
            No, for being subversive.


                                   WILL SWENSON
                          (while renting a car without
                           paying a surcharge)
            If I'm so subversive, why should I go to high school anyway?


                                   TEENAGER DRESSING UP LIKE A
                                   GROWNUP USING A RIDICULOUS
                                   NAZI ACCENT
            Because if you don't go to High School, you have to go to
            `NAM!


                                   WILL SWENSON
            I live on the street.  How the hell were they going to mail
            me a draft card in the first place?


                                   TEENAGER DRESSING UP LIKE A
                                   GROWNUP USING A RIDICULOUS
                                   NAZI ACCENT
            Um...


                                   WILL SWENSON
            Then I didn't need to go to High School at ALL.  Forget this!
            This isn't IMPORTANT!  This isn't LOVE!


                                   Enter Claude.


                                   JONATHAN GROFF
            My name is Claude, and I'm from Manchester Eng--


                                   GAVIN CREEL
            Honey, you forgot.  I'm playing the part of Claude now! 
            *You* played the part in the Park, silly!


                                   JONATHAN GROFF
            Whoopsie, I forgot!  Okay Gavy-poo.


                                   They kiss a hot Claude-on-Claude kiss.


                                   JONATHAN GROFF
            Gav-gav, when are they announcing the replacement cast for
            when you guys go to London?


                                   GAVIN CREEL
            Any day now.  Why, SugarGroff?


                                   JONATHAN GROFF
            Let me know when you find out who's playing Claude.  We can
            invite him over to... um... "watch Glee with us".
                          (wink)


                                   GAVIN CREEL 
                          (in a horrible British accent)
            My character's name is Claude!  And I'm from Manchester,
            England!


                                   WILL SWENSON
            Why Manchester England?


                                   GAVIN CREEL
            Because that's where the Beatles are from!


                                   WILL SWENSON
            That's...
            Also you're from Flushing.


                                   GAVIN CREEL
            Um... bullocks?  Or no bullocks?  Hey which one is it?


                                   Enter Gavin Creel's parents as imagined
                                   by hippies playing dressup with Mommy
                                   and Daddy's clothing.


                                   GAVIN CREEL'S PARENTS
            Get a job and join the Army!


                                   GAVIN CREEL
            Those are two entirely different things.


                                   GAVIN CREEL'S PARENTS
            We are stereotypical parents from Queens and we are ashamed
            of your long hair and very stylish jeans.


                                   GAVIN CREEL
            I'm going to RIP UP MY DRAFT LETTER!


                                   He does!


                                   ANYBODY IN THE AUDIENCE WHO
                                   IS UNDER THE AGE OF 35
            Meh.


                                   SIX PEOPLE IN THE AUDIENCE
                          (clapping wildly)
            Whooo!


                                   FUN GAME: Can you guess how many old
                                   hippies are in the audience tonight?


                                   GAVIN CREEL
            Love love love.  Hey, let's sing about body parts!


                                   Cast of Hair runs out into the audience
                                   to interact with/frighten them.


                                   CAST OF HAIR
                          (singing)
            I'VE GOT MY EYES
            I'VE GOT MY NOSE
            I'VE GOT MY MOUTH
            I'VE GOT MY HANDS
            I'VE GOT MY SPHINCTER
            I'VE GOT MY ESOPHAGUS
            I'VE GOT MY LARGE INTESTINE
            I'VE GOT MY SMALL INTESTINE
            I'VE GOT MY COLON
            I'VE GOT MY MEDULLA OBLONGATA
            I'VE GOT MY CUSPIDS
            I'VE GOT MY MOLARS
            I'VE GOT MY INCISORS
            I'VE GOT MY CANINES
            I'VE GOT MY WISDOM TEETH REMOVED BUT THEY USED TO BE THERE.


                                   FUN GAME: What skill do you need in
                                   order to be a Hair Castmember?  Is it:
                                     A) Be able to sing 8 times a week?
                                     B) Have some idea of how to remove
                                   your clothes (or how to have a fellow
                                   cast member do it for you)?
                                     C) Be comfortable touching random
                                   strangers in ways you wouldn't even
                                   consider doing to your closest friend
                                   if "being in character" wasn't a
                                   suitable excuse?
                                     D) All of the above.


                                   FAKE `60S COUPLE PRETENDING
                                   TO BE ON THEIR HONEYMOON
                                   [ALTHOUGH BOTH OF THEM ARE
                                   ACTUALLY MEN]
            We're on our honeymoon!


                                   TWELVE PEOPLE IN THE
                                   AUDIENCE
                          (clap)
            We are applauding for you even though it's clear you are not
            real people!


                                   FUN GAME: Guess how many people in the
                                   audience did a hit in the bathroom just
                                   before the show?


                                   FAKE `60S COUPLE PRETENDING
                                   TO BE ON THEIR HONEYMOON
                                   [ALTHOUGH BOTH OF THEM ARE
                                   ACTUALLY MEN]
            Sing the title song already!


                                   They do, while running out to interact
                                   with the audience once again.


                                   TOKEN ASIAN GIRL 
            I am running my fingers through 40% of the audience's hair!


                                   STEEL "STEEL" BURKHARDT
            It is fun to molest the scalp of strangers!
            Also my name is actually Steel!  Isn't that awesome?


                                   THE INCOMPARABLE        
                                   MEGAN "REDHEAD" REINKING
            Headlice has spread quite a lot in NYC since March 2009!  
            I wonder why!


                                   COSTUME DESIGNER     
                                   MICHAEL MCDONALD
            Oh... but I built a Purell pouch into everybody's clothes...


                                   Enter an NYU student.


                                   CAISSIE LEVY
            They call me Democracy's Daughter because I care about
            THINGS!


                                   WILL SWENSON
                          (kiss kiss)
            Hello, love!


                                   CAISSIE LEVY
                          (kiss kiss)
            THINGS, like being a college student dating a "high school
            student".


                                   WILL SWENSON
            That's okay, I got expelled.


                                   CAISSIE LEVY
                          (it's nice to hear that hippies
                           nag too)
            Tsk.  As a hippie myself, I had plans for you Will Swenson!
            Plans that involved you growing up and being responsible and
            getting a job, and growing up into the 80s, and wearing a
            Member's Only jacket, and taking me to the multiplex in your
            Iroc. 


                                   WILL SWENSON
            My what?


                                   CAISSIE LEVY
            Your Iroc.  It was a car that was popular in the 1980s!  Is! 
            No, will be!  Damn, when are you going to Grow Up And Be A
            Hippie?


                                   GAVIN CREEL
            Oh Caissie, *I'll* grow up and be...
            Wait what?


                                   WILL SWENSON
            My best friend is in love with my girlfriend.
            I guess by default, that means that we should have hot three
            way action?


                                   CAISSIE LEVY
            It's called a "love triangle".  Jackass.


                                   AUDIENCE
                          (clapping)
            We understand this plot point!


                                   PREGNANT CHICK
            Everybody got that?
            See, Gavin Creel is in love with Caissie Levy, and Caissie 
            Levy is in love with Will Swenson, and Will Swenson is in 
            love with both of them.   
            But: I'm in love with Gavin Creel!  Love triangles are for
            squares--this is a love quadrangle!


                                   GEOMETRY TEACHERS
                          (heads explode)


                                   AUDIENCE
            Oh, your pregnancy's relevant to the plot because the baby's
            father is Gavin Cr--


                                   PREGNANT CHICK
            No, it's not his at all.  It's an unnamed speed freak's.  
            And we will never bring him up again.


                                   AUDIENCE
            Plot... Relevant...  
            Nevermind.


                                   CAISSIE LEVY
            Will Swenson: I just came back from being tear-gassed,
            and all I brought you was this stupid T-Shirt.


                                   WILL SWENSON
            I'M GONNA RIP IT!


                                   He does.


                                   CAISSIE LEVY
            Why'd you do that?


                                   WILL SWENSON
            Because I'm an immature hippie.  
            Wait, is that really the message we're trying to convey?


                                   CAISSIE LEVY
            Then I'm gonna sing a song about it!


                                   She does.


                                   THAT GIRL FROM           
                                   ALL THE POSTERS
            I'm going to sing a song about waiting for some guy in front
            of the Waverly, which is probably an NYU Dorm today.


                                   She does.


                                   Audience gets antsy.


                                   AUDIENCE
            We were promised nudity.  We have no idea what's going on
            anymore but we distinctly remember being promised nudity.


                                   BLACK GUY
            Lucky for you, that's what we do at be-ins!


                                   GAY HIPPIE
            What's a be-in?


                                   BLACK GUY
            How should I know, I was born in `83.


                                   Everybody burns their draft cards.


                                   PREGNANT CHICK
            Gavin, why aren't you burning *your* draft card?


                                   GAVIN CREEL
            Because I tore it up in front of my parents, remember?


                                   PREGNANT CHICK
            No, that was your draft *letter*, this is your draft *card*. 
            There's a difference.


                                   GAVIN CREEL
            Oh.  I guess I don't have a good reason then.  Hey, Rest Of
            Cast, why are you suddenly naked?


                                   REST OF CAST
            We don't have a reason either.


                                   DIRECTOR DIANE PAULUS
            Because the audience was promised nudity.  
            Dimly, dimly lit nudity.






            SCENE: ACTUALLY OVERHEARD IN THE WOMEN'S BATHROOM:


                                   LATE 20S THEATREGOER
            Why are there so many 14 year olds dressed like hippies at
            this show?


                                   HER FRIEND
            I guess they're just really into the show.


                                   LATE 20S THEATREGOER
            Whatever.  I was into "Beauty and the Beast" at that age, but
            I didn't go to the show in a yellow ballgown.






            SCENE: SOMEPLACE WITH A GIANT PROJECTION OF THE MOON THAT
            WILL BE REFERRED TO OVER AND OVER AND OVER.


                                   The cast sings a song about how girls
                                   like boys of the "opposite race".


                                   No, not like.


                                   *Love*.


                                   WHITE GIRLS
            We are very much into black boys!


                                   BLACK GIRLS
            Except why would black girls be into white boys?


                                   More audience interaction: a small
                                   blonde girl tickles your leg waving
                                   "hi" like she knows you or something.


                                   Wait a second is she even in the cast?


                                   WILL SWENSON
            Look at the giant projected moon!  Let's get high!


                                   PREGNANT CHICK
            I will suck in this doobie so deeply that my fetus will be
            able to touch the sky!


                                   AUDIENCE
            We find this much more shocking than our promised nudity.


                                   WILL SWENSON
                          (somehow not a dick joke)
            Gavin Creel, I made a special joint for you to suck.


                                   GAVIN CREEL
            Oh, I'm so depressed about having to go to Vietnam that I'm
            going to get high to feel better.


                                   Suddenly he goes skydiving.


                                   GAVIN CREEL
            So much more fun when you're high!


                                   He sees famous people.


                                   ARETHRA FRANKLIN
                          (sings R-E-S-P-E-C-T,
                           just to placate the audience)


                                   GRANT, WASHINGTON, INDIANS,
                                   LINCOLN, BOOTH, SCARLET
                                   O'HARA, CLARK GABLE, 
                                   GENERAL CUSTARD,
                                   THE DALAI LLAMA
                                   AND ARETHRA FRANKLIN
            We are all famous people, and we are all dead.  If you go
            to Vietnam, you'll be dead too.


                                   ARETHRA FRANKLIN
            Wait, what?


                                   GAVIN CREEL
            Even if I put this flower in this gun?  Like every fucking
            poster you've ever seen from the 60s?


                                   GRANT, WASHINGTON, INDIANS,
                                   LINCOLN, BOOTH, SCARLET
                                   O'HARA, CLARK GABLE, 
                                   GENERAL CUSTARD,
                                   THE DALAI LLAMA
                                   AND ARETHRA FRANKLIN
            Yes, even then.


                                   GAVIN CREEL
            Even if George W. Bush is no longer in office, thus making
            the political parallels we've drawn between this era and the
            Iraqi war meaningless?


                                   GRANT, WASHINGTON, INDIANS,
                                   LINCOLN, BOOTH, SCARLET
                                   O'HARA, CLARK GABLE, 
                                   GENERAL CUSTARD,
                                   THE DALAI LLAMA
                                   AND ARETHRA FRANKLIN
            Yes, even then.


                                   GAVIN CREEL
            In that case..
                          (wakes up)
            Wow, that was a bad trip.


                                   AUDIENCE
            No shit.


                                   Entire cast runs around the theater
                                   once again, finally proving that they
                                   didn't really need the stage at all in
                                   the first place.


                                   GAVIN CREEL
            Hey Caissie Levy, look at how well I can sing music that
            flows with Shakespeare's lyrics as unnaturally as possible! 
            So will you marry me?


                                   CAISSIE LEVY
            That's not going to save you.  But maybe if we all say "yip"
            really hard, we can... um... conjure up the Sesame Street
            aliens and they'll end the war?


                                   WILL SWENSON
            I'll never have to go to war! I'm going to India! I'm going
            to stay young and high forever!


                                   "Berger", by the way is now a middle-
                                   aged chiropractor in Fort Lauderdale.


                                   OTHER HIPPIES
            That's right!  We're going to stay young and liberal forever! 
            And found Ben and Jerry's and the Whole Foods Corporation and
            Organic Disco and battle erectile dysfunction and vote for 
            Proposition 8 and never legalize marijuana.  Oh wait a minute 
            we failed at everything.


                                   GAVIN CREEL
            That sounds terrible.  I'd rather just go die on that flag.


                                   He DOES.


                                   REST OF CAST
            Now that dummyhead Gavin Creel's out of the way, everybody
            come up onstage and dance with us!


                                   Lights get very bright.


                                   REST OF CAST
            ...
            ...
            ...
            Hey why is nobody onstage dancing with us?


                                   MIDDLE-AGED AUDIENCE
            You want that I should walk up these stairs without a
            handrail?  Feh.


                                   Hippies in cast put handrails on side
                                   of stairs to stage so Hippies in
                                   audience can meet them.


                                   Hippies in audience dance.


                                   Then they take off all their clothes.


                                   CAST OF HAIR
            What the fuck do you think you're doing?


                                   MIDDLE-AGED AUDIENCE
            WE WERE PROMISED NUDITY.


                                        BLACKOUT.
</pre>]]>


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